Home > About Haeinsa > The House of Tripitaka Koraena  
 
   
 
 
 
The structure of the building seems simple and plain but practical,
hence, it is proper place for Tripitaka Koreana and helps Tripitaka
Koreana live long.
 
The House of Tripitaka Koreana is consist of four buildings and the number of total pillars of four buildings is
108 which is the Buddhist symbol of human agonies. Even the number of pillars shows the Buddhist view on
the religious symbol.
 
" Even a millennium passed, characters seem to be engraved a day ago. And birds do not sit on the roof of the
House of Tripitaka Koreana. It is really strange phenomena.          " Yi junghwan, "Taek-ri-ji"

People say that it is really mysterious that birds or mice have not entered or flown into the building, and spiders
have not weaved webs for hundreds years even though buildings opened all the time.

 

The House of Tripitaka Koreana at Haeinsa, World Heritage

World Heritage is the heritage that UNESCO (United Nations Educational, Scientific and Cultural Organization) designates according to "Convention concerning the Protection of the World Cultural and Natural Heritage." World Heritage that is significant heritage in human civilization and history of the nature has very important value, therefore, the whole human race should preserve and hand down to descendants.

Tripitaka Koreana, National Treasure No. 32, is enshrined in the Hall of Sudara and the Hall of Dharma Jewel, and Koryeo Blocks, National Treasure No. 206, is enshrined in the Hall of Dong-sa-gan and the Hall of Seo-sa-gan.

* The House of Tripitaka Koreana at Haeinsa = JanggyeongPanjeon

Haeinsa Temple Janggyeong Panjeon,
the Depositories for the Tripitaka Koreana Woodblocks
Criteria



The Criteria for Selection

To be included on the World Heritage List, sites must be of outstanding universal value and meet at least one out of ten selection criteria. These criteria are explained in the
Operational Guidelines for the Implementation of the World Heritage Convention
which, besides the text of the Convention, is the main working tool on World Heritage. The criteria are regularly revised by the Committee to reflect the evolution of the World Heritage concept itself.

Until the end of 2004, World Heritage sites were selected on the basis of six cultural and four natural criteria. With the adoption of the revised Operational Guidelines for the Implementation of the World Heritage Convention, only one set of ten criteria exists.

 
  Cultural criteria Natural criteria
Operational Guidelines 2002 (i) (ii) (iii) (iv) (v) (vi) (i) (ii) (iii) (iv)
Operational Guidelines 2005 (i) (ii) (iii) (iv) (v) (vi) (viii) (ix) (vii) (x)
 
Selection criteria:

i. to represent a masterpiece of human creative genius;

ii. to exhibit an important interchange of human values, over a span of time or within a cultural area of the world, on developments in architecture or technology, monumental arts, town-planning or landscape design;

iii. to bear a unique or at least exceptional testimony to a cultural tradition or to a civilization which is living or which has disappeared;

iv. to be an outstanding example of a type of building, architectural or technological ensemble or landscape which illustrates (a) significant stage(s) in human history;

v. to be an outstanding example of a traditional human settlement, land-use, or sea-use which is representative of a culture (or cultures), or human interaction with the environment especially when it has become vulnerable under the impact of irreversible change;

vi. to be directly or tangibly associated with events or living traditions, with ideas, or with beliefs, with artistic and literary works of outstanding universal significance. (The Committee considers that this criterion should preferably be used in conjunction with other criteria);

vii. to contain superlative natural phenomena or areas of exceptional natural beauty and aesthetic importance;

viii. to be outstanding examples representing major stages of earth's history, including the record of life, significant on-going geological processes in the development of landforms, or significant geomorphic or physiographic features;

ix. to be outstanding examples representing significant on-going ecological and biological processes in the evolution and development of terrestrial, fresh water, coastal and marine ecosystems and communities of plants and animals;

x. to contain the most important and significant natural habitats for in-situ conservation of biological diversity, including those containing threatened species of outstanding universal value from the point of view of science or conservation.

The protection, management, authenticity and integrity of properties are also important considerations.

Since 1992 significant interactions between people and the natural environment have been recognized as
cultural landscapes.